• The Sunflower (1999)
    The Sunflower (1999)
  • Picture 2
    The Blue Vortex (2014)
  • Picture 3
    Resilient Flowers (2013), detail
  • Picture 4
    Resilient Flowers (2013), detail
  • Le Vert (2005)
    Le Vert (2005)
  • Je Me Souviens (2017), detail
    Je Me Souviens (2017), detail
  • Beltane (2006)
    Beltane (2006)
  • Je Me Souviens (2017), bottom left detail
    Je Me Souviens (2017), bottom left detail
  • Resilient Flowers (2013), detail
    Resilient Flowers (2013), black detail
  • Resilient Flowers (2013)
    Resilient Flowers (2013)
Side Picture 1
Noely Maria
Fine Artist
Side Picture 2

My Story

Born in Porto Alegre, Brazil, I began to draw when I was four, inspired by my father, a self-taught painter of oil landscapes. At the age of seven, I learned to play guitar by watching him play, and created my first musical compositions. Soon, I started to participate in presentations on local TV and numerous school activities, charity events and religious festivities. At the age of eight and during the following three years, I wrote, rehearsed and directed my first plays with a group of schoolmates, creating costumes and choreographies for modern dance.

By the time I turned thirteen, I began to offer acoustic guitar lessons to teens. By watching my mother, aunts, and grandmother, I learned to sew, embroider, crochet, and knit, selling my own handwork at school. In high school, I learned to cook with my boyfriend, with whom I have being happily married for thirty-one years. At the age of eighteen, I concluded a three-year technical course of architectural and interior design. That year, I also concluded professional airbrush and animated cartoon courses. During the following eight years, I worked in numerous audio-visual projects, including a production about Ancient Egypt consisting of seven hundred slides and forty hours of videos.

In 1988, I graduated from the Federal University with a Bachelor in Fine Arts, with an emphasis on education and painting. Soon, I began to participate in collective and individual exhibitions in Brazil, with landscapes and still-life oil on canvas. In 1996, I completed the development of an original technique using acrylic texture on hardboard. This distinctive technique uses small dots in finely detailed texturized paintings, representing abstract and figurative themes in a unique 3D combination of colors, texture light and shadows. I exhibited this technique for the first time in Canada in 2004, the year I moved with my family to Quebec.

In 2005, I participated in an exhibition at the Telus Tower in Montreal and in 2006 at the Musée des Maîtres et Artisans du Québec, Saint-Laurent . In 2007, we moved to Calgary, where I continued to develop my individual collection while selling to private collectors. Between my dedication to arts and homeschooling my children, I continued my research using new materials and mixed techniques, in a continuous quest to innovate and transfer to my paintings an endless flow of ideas and inspirations. This has been achieved by exploring multiple combinations of materials, in the pursuit of greater durability, rigidity, and visual effects across a wide range of techniques.

In 2013, I moved with my husband to Bahrain, a lovely kingdom I am proud to call home. I am currently getting ready for an exhibition in 2018.


My Technique

I started to develop my technique over 20 years ago by combining several mediums to form textures in acrylic on rigid support. Since then, this technique has evolved into overlapping points of acrylic paste, modified with a mix of additives to prolong the application time before curing, as well as increasing the durability while minimizing cracking or crumbling. Today, thanks to a range of different mediums, I have achieved optimal results in the final textures, as well as a superior durability of the artwork. The time required to complete each project will depend on the volume of texture applied, as well as on the level of details over the surface, which can consist of thousands of micro-dots over many layers in a single square inch. Depending on the complexity, a piece of artwork can take anywhere from a month to one year to be completed. As of today, the mixed techniques I use involve finely sculpted textures, pouring, washes and watercolors, beeswax, pastels, waxed paste, master paste original, collage and acrylics over canvas and hardboard.

My Inspiration

My work is inspired by the forms of nature, as well as from my intuitive process. The results come from my satisfaction in handling the materials while watching my inspiration emerge from the canvas. The whole process is always very satisfying due to its infinite possibilities. This technique is unique and has enormous potential to continue to evolve.


Recent Projects

 
Beautiful Nature November 2017 81 × 61cm Acrylic paste on hardboard It took me five months for the whole creative process, from my first drawings to the final textures carefully crafted over the board. An indescribable creative experience, from the choice of multiple materials to the final touches that, finally, revealed the three dimensions of my inspiration. The application of textures with the acrylic paste gave me the sensation of traveling into another dimension, with my thoughts slipping away along with the branches I was creating. I will always remember the state of peaceful balance that covered my studio.
Je Me Souviens September 2017 150 × 150cm Acrylic textures on canvas The inspiration came from my years in Montreal, from the golden leaves of the Fall I have recorded in thousands of photographs, as well as in the impressions left in my imaginary. Completed the year of Canada’s 150th anniversary, this composition of four canvas of 90x60 cm represents my gratitude to Canada for everything that the country has provided to me and my family, and the immense fulfillment of having lived there. “Je me souviens” ("I remember", in English) is the official motto of the province of Quebec. This composition is just a pale reminder of my cherished memories of the Country of the Maple Leaf.
I Love Bahrain August 2015 81 × 61cm Acrylic and pouring medium on hardboard This experience with acrylic pouring medium was very gratifying, either for the elegance of the material dancing on the surface, surprising me at every moment, or for the adorable appreciation I have for Bahrain. While looking for shapes that could fit the background, figures and forms arose and, soon, they started to represent some of the images I cherish from my lovely Bahrain. I am happy with the results for expressing how much I love to live in this friendly place. "I Love Bahrain" came truly from the bottom of the heart.
 

Past Creations

 
Resilient Flowers 2013 61 × 61cm Acrylic paste on hardboard Private Collector

Wherever a go, beauty always finds a way to touch my eyes and my spirit. The harmony of shapes and colors brings me profound happiness. This artwork captures nuances found in my garden in Calgary. The fragile structures of the leaves appealed for an emphasis in the aging process, while still keeping its inherent beauty. The pale colors reveal the cold winter environment surrounding a plant that insists on living.

Verde Que Te Quero Verde 2009 61 × 61cm Acrylic paste on hardboard Artist collection

Nature has always been my passion, and the most beautiful source for my inspiration. Verde Que Te Quero Verde (in English, “Green That I Want Green”) reminds me the smell of the backyard of my parents’ house in Brazil, where trees and plants under my mom’s dedicated care - one of them planted by my grandfather - populated my imaginary since early ages.

Paysage Chinois 1997 89 × 65cm Acrylic paste on hardboard Artist collection

When I decided to apply this technique in paintings, one of my first inspirations were the delicate oriental landscapes. The incommensurable beauty and the details of these sceneries enthused me into this three-months project. I was mesmerized with the results as much as with the process of detailing those elements into a harmonic composition. One of my earliest works, Paysage Chinois (Chinese Landscape) still touches some elements that continue to fascinate me. Somehow, in one way or another, these elements remain embedded into my work. This may be the reason why an artist’s theme can often be seen and felt throughout the years, collections, and even through individual pieces.
 

 

Contact

Address: Manama, Bahrain
noely@noelymaria.com
 

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